When it comes to recording sound for video production, everyone wants it to be easy, but most people aren’t willing to sacrifice sound quality for ease-of-use. Sounding professional is a top concern, no matter what. I’ve used lots of gear over the years, but it wasn’t until I tried the Tascam DR-10L belt-pack recorder that I realized that — for the first time — getting good sound in video production was kind of easy.
The default settings of the Tascam DR-10L are well chosen, but I still recommend changing a few of them. For example, I always think it’s a good idea to use the DUAL RECORD feature. For the best results with the Tascam DR-10L, just follow the chart below.
Changing the settings on the DR-10L is logical and straight-forward. With the unit turned on, you simply press the Menu button, then scroll up or down and select 1 of the 20 menu options by pressing the Enter button. Here are the settings I recommend:
01: MIC GAIN
This is the input level setting of the DR-10L. The options are Low, Medium-Low, Medium, High, and High+. I think you should always look at the audio meter on the DR-10L and adjust this setting so the meter is bouncing around 3 1/4’s of the way up. I explain this fully in my How To Set Audio Levels post.
02: LOW CUT
If you don’t plan to EQ your audio in post production using good quality studio headphones or flat-response speakers, turn Low Cut on.
03: Limiter
Unless a device has a high-quality analog limiter (and the DR-10L does not), I recommend turning the Limiter off.
04: AUTO LEVEL
This feature automatically turns the input level up or down. In general I do not use features like this. Turn it off.
05: FS SAMPLE
Leave this on the default of 48kHz.
06: BIT LENGTH
Leave this on the default of 24-bit.
07: FILE TYPE
This setting either creates a mono file, or a stereo file with the same mono audio on both the Left and Right channels. In order to keep file sizes down, I recommend using the default Mono.
08: DUAL REC
Dual Record is a super cool feature. It records a “safety track” of the same audio at a lower level. I recommend turning this on, and using the -12dB option. You end up creating twice as many audio files to manage, but it’s worth it because no matter how loudly your subject suddenly gets, you will have a copy of their audio that doesn’t get overloaded and distort.
09: MP3 MODE
Leave this turned off.
10: TRACK INC
Leave this turned off.
11: WARN BEEPS
Turn this on. When you plug headphones into the DR-10L, you will hear warning beeps if your battery is low, or if your memory card is low on data. Cool feature. Thank you, Tascasm!
12: POWER SAVE
Turn this on. It played a major role in how my cheap AAA alkaline battery lasted forever with the DR-10L.
13: NAME TYPE
Leave this on the default, which is Date. You can get more crafty with the file names in the next setting option…
14: FILE NAME
If you only own one DR-10L and mainly use it to record yourself, you don’t need to mess with this one. But, if you use more than one DR-10L at the same time, it might be worthwhile to change the name of the file to the name of the person who wears the unit. This way, in post, it will be clear which audio files belong to which person.
15: FORMAT SD
Personally, I make a habit to format the SD every time I take the files off of my DR-10L. But I only do so after I’ve also backed-up those files on a second hard drive.
16: MIC BIAS
Leave this turned On, unless you’re using a different kind of mic that doesn’t need power to operate.
17: BATT TYPE
If you’re using an alkaline battery, set this to ALK. If you’re using a rechargeable set it to NiMH. If you’re using lithium, set it to LITH.
18: DATE/TIME
Make sure you have the correct date and time entered here.
19: SYS INIT
This resets every setting back to the factory default. If you accidentally do this, it’s not the end of the world because Tascam made excellent choices with the defaults.
20: VER INFO
There are no options to choose in this one.
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When you shoot a video, you should always record the sound separately with an audio recorder. It sounds drastically better and is definitely worth the extra effort. It’s not very difficult to do. If you use Final Cut Pro, this is how sync externally recorded audio files with your video footage.
Earlier this week Apple announced 4 new iPhone models and a smart speaker that’s the same size and shape as a snow globe. There was a lot of information to take in, with 5G being added to the phones, a built-in magnetic charging thing, and some fancy camera tech that’s exclusive to the most expensive models. What got lost in the fanfare was the fact that the new iPhone 12 costs $100 more than the iPhone 11.
Last year at this time I bought a new iPhone 11 with 128GB of storage. The price was $749 before tax. Today a new iPhone 12 with 128GB of storage will cost you $849.
There are certain portable audio recorders, headphones, and other equipment have a special kind of external plastic that “feels rubbery” to the touch. The advantage was that it made the gear easier to grip when you held it, reducing the likelihood that you would accidentally drop it. It was made out of plastic, but it felt like it was made out of hard rubber. Awesome, right?
My wife and I have both been using the iPhone 11 for 9 months non-stop, and I figured we should give it a report card, seeing as the new iPh0ne models will arrive in 2 months. Read on for a written review, or hit play on the podcast episode below on the topic (skip to the 29 minute mark to hear our iPhone 11 discussion):
The Zoom H4n Pro and Tascam DR-40X have great sounding built-in stereo microphones and multiple inputs, but there are often occasions when you only need to use a single external microphone. Both of these recorders have settings you can adjust that make using a single microphone sound even better. I explain how to do this in this post, and provide sound samples so you can hear the difference.