I recently played some shows at a club in Brooklyn, and both times the sound guys were surprised that I had brought my own vocal microphone. I’ve always gone out of my way to urge people to use their own mics when they play shows. Thankfully, the good people at Audio-Technica recently put together a couple of videos that illustrate the importance of this brilliantly:
If you’re sold on the idea of having your very own, personal vocal microphone, here are some suggestions:
The Shure SM58
This is the microphone that most clubs use. It sounds great. It’s a classic. However, it’s not perfect. The biggest problem with the SM58 is that the grill dents and deforms when you drop it. The more dented and deformed the grill gets, the worse it sounds.
I’m a big fan of Audix Microphones. I own a bunch of them. The very first Audix mic I bought was the OM2. Even though I’ve had it for six or seven years, it still looks and sounds like it’s brand new. The OM2 has a great sound for live vocals, and the grill was designed not to dent when you accidentally drop it. Audix is based outside of Portland Oregon, and they manufacture many of their microphones in the USA.
Kristin Mueller, my dear old friend/bandmate/roommate, used to have an Audio-Technica MB4K/C. We used it for live vocals, and it had a really snappy, present sound. I really liked using it. Plus, back in the day, Kristin was in another band that shared a practice space with Interpol (during their heyday). She was psyched to discover that Interpol was using Midnight Blue Audio-Technica mics too. Midnight Blue, baby! The microphones of mystery! You can hear this mic in acton in the following video. It was shot on Valentine’s Day in 2003, in a long lost dive bar called Siberia. I brought the MB4K/C to use as my vocal mic. Poor Kristin got stuck using a house mic for backup vocals. Sorry Mueller!
Have you used the AKG D5 as a vocal mic? How does it compare with the miss listed?
Thanks
Unfortunately, I’ve never used an AKG D5 as a vocal mic. Sorry!